South African Film

Documentary about the anti-nuclear demonstration staged in Trafalgar Square on 17 September 1961.

Film deals with Stakhanovite movement. Old miners try to sabotage young man's plan to renew methods of getting coal.

A black female TV producer struggles in Hollywood.

"[This film] embodies (...) one of his [Hahnemann's] most mature films. Rainy rides along Schönhauser Allee, which seems to be depopulated. Past the 'Viennese Café', the meeting place par excellence. From a moving train the view of idyllic landscapes, on the horizon a castle. The camera tilts, turns, until the world is upside down. Scenes of an action with the artist friend Heike Stephan: in the sanctuary Hahnemann, black painted with a white turban, and Stephan, stack cages with rabbits on top of each other. Then TV recordings of a discussion forum with Jean-Luc Godard and Rosa von Praunheim - scenes as from another planet. From the off again and again a poem Hahnemann, recited by Peter Mario Graus. The diction is initially calm, almost factual, increases, eventually overturns, but then falls back, resigned. " (Claus Löser in "Gegenbilder")

A pilot for an unsold NBC series. A single woman with three children realizes that her family has lost sight of their values and gives up her career as a daytime-drama actress in New York to move back with her extended family on their Texas farm.

親友の結婚式に参加するため東京から帰省した映画監督志望の青年、ユウタ。少年時代の友人たちと、バッティングセンターで3次会に合流してくる、新郎、ヒデの帰りを待つ。 バッティングセンターに隣接している「cafe Manday」は新郎のヒデが経営しているお店。 一頻りバッティングで遊んだ青年たちは、Mondayで昔話に耽る。 変わらない、青年たち。ユウタ自身もそう感じているが、進行中の案件の合否が気になって仕方がない。ユウタは、“東京との生活を切り離せずにいる”間も無くしヒデが合流してくると、買い出しを口実に、ヒデはユウタを誘い込み、2人は買い出しに向かう…

The rain is outdoors; the action is indoors, in a grocery store, where the characters on product labels come to life.

Fifteen years after they parted ways, Sayani, Law officer in a corporate firm meets Asimabha, a brilliant man leading a devious life, and they go through a unique journey with a curious interplay of conflict, intrigue and surprise.

A man and a woman, eager for happiness and romance, encounter the desired reality, but fail to recognize it, preferring to take refuge in a space on the border between the concrete world and dreaming.